Its original and unmistakable trapezoidal shape draws on the tapered shape of wooden logs. At the same time, Medoc's design creates visual continuity with old planks, "when planks were not straightened so as to avoid wasting wood unnecessarily". The imprecise sawn cut surface (or sawn wood technique) requested by the designers enhances the light effects, the tactile feeling and 3D effect of Listone Giordano's French Oak. The colour shades obtained with natural oil-based treatments give Oak a distressed look by simulating the effects of exposure to the elements.
With a degree in architecture from Florence, he was at the forefront of movements such as Cavart, Alchymia and Memphis during the years of radical and experimental architecture. In 1987, after years of studies, he designed Tolomeo for Artemide, the table lamp with which he won his first Compasso d’oro award. It soon became the archetype of the lamp with adjustable arms. From 1988 to 2002 De Lucchi was at the head of the Olivetti Design department for which he designed laptops, monitors, printers, faxes and computers. He received his second Compasso d’oro in 2001 thanks to his design of the Olivetti Artjet 10 printer. During his long career he developed experimental projects for Compaq Computers, Philips, Siemens and Vitra.
He designs buildings and exhibitions for museums such as the Triennale in Milan, Palazzo delle Esposizioni in Rome, Neues Museum in Berlin, the “Cini” Foundation in Venice and the Gallerie d’Italia in Piazza della Scala in Milan. In 1990 he set up a Private Production, as part of which De Lucchi designs products without being commissioned for them, using handmade techniques and skills.